Size guide

Size guide

Step up your style with an embroidered old-school cap. It’s crafted from 100% cotton corduroy that’s soft to the touch and comfy to wear. It features an adjustable strap with a gold-colored buckle for a great fit and a visor to protect you from the sun and wind. Complete your look with this embroidered corduroy cap and rock a cool vibe all day long.

• 100% cotton corduroy
• Unstructured, 6-panel, low-profile
• Cotton twill sweatband and taping
• 6 embroidered eyelets
• Adjustable strap with a gold-colored metal buckle
• Head circumference: 20″–22″ (50.8 cm–56 cm)

This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!

Size guide

About the Artwork:

The artwork pictured isn't attributed to a specific artist, but rather to the print shop Clay & Richmond, operating in Buffalo, New York during the mid to late 19th century. This company was known for producing quirky and often humorous chromolithographs, a type of colorful lithograph print.

The chromolithograph itself depicts a curious sight: a woman with an elegant posture leans confidently towards the viewer. Her unique gown, however, is the real showstopper. Instead of luxurious fabrics, she is adorned in a dress entirely fashioned from a single, vibrant green cabbage. The artist renders the ruffled leaves, creating an elegant ensemble.

Image courtesy of Boston Public Library via the Digital Commonwealth Collection.

About the Artwork:

Thomas Rowlandson was an English artist and caricaturist noted for his colorful and satirical depictions of Georgian society and manners. Born in 1756 in London, Rowlandson's works were distinguished by their robust humor, lively characters, and often bawdy themes. He had a keen eye for the absurdities of human behavior and his drawings frequently featured the social and political scenarios of his time.

"The Last Drop" is an example of Rowlandson’s approach to caricature and social commentary. The artwork portrays a London tradesman overindulging on whiskey punch while having a skeletal representation of death looming over him as he imbibes. The character is depicted in an exaggerated, grotesque manner, emphasizing his inebriation and lack of decorum.

Image courtesy of the Met's Open Access Initiative.

About the Artwork:

The Buffords Sons Lith. Co. was a prominent American lithography firm based in Boston, operating with influence throughout the 19th century. Founded by John Henry Bufford, a key figure in the development of American lithography, the company was known for its high-quality prints, illustrations, and posters. Their work often included vibrant and detailed images that catered to a wide range of commercial and artistic needs, capturing the cultural and social nuances of American life during that era. Their contribution to the lithographic arts is notable for both technical innovation and the popularization of artistic prints.

"Miss Shell and Mr. Lemon" features anthropomorphic representations of an oyster shell and a lemon in a playful, possibly romantic interaction. Miss Shell is elegantly and delicately detailed while Mr. Lemon is depicted with a zestful and bright appearance, enhancing his citrus character.

Public domain image courtesy of Cornell University Library Digital Collections, modified.

About the Artwork:

While the exact artist is unknown, "Man's head on a watermelon body" was produced by the print shop of Clay & Richmond, a Buffalo, New York-based company known for their playful chromolithographs in the mid-19th century. These vibrant prints were popular for their humorous and often bizarre imagery.

This particular chromolithograph features a curious sight: a man's head sitting atop a plump watermelon body. The man retains his clothing, with a shirt collar and dress slacks above and below the smooth green rind.

Image courtesy of Boston Public Library via Digital Commonwealth Collection.

About the Artwork:

This advertisement card printed in the United States in 1887 is a chromolithograph that features one man and two women with the bodies of red radishes. The image is meant to be humorous and eye-catching, and served as a calling card for Rice's Seeds to promote a variety of globe radishes.

Image courtesy of Boston Public Library via the Digital Commonwealth Collection.

About the Artwork:

This satirical print, titled "Wonderful Effects of Morrisons Vegetable Pills" and published by O'Hodgson in London, offers a humorous critique of 19th-century patent medicines. This was a period when unregulated "cure-alls," often with dubious ingredients, were widely advertised and consumed with promises of extraordinary results.

The image presents a chaotic scene. A figure, overwhelmed after consuming an excessive quantity of "Morrisons Vegetable Pills," gazes into a mirror. To their horror, their body has sprouted a bizarre profusion of vegetables: carrots, turnips, radishes, and various greens.

"Wonderful Effects of Morrisons Vegetable Pills" exaggerates the outlandish claims often made by patent medicine manufacturers. The sprouting vegetables mock the idea that a simple pill could bring about drastic physical transformation. The print cleverly exploits the connection between food and medicine to highlight the potential dangers of unregulated substances and the gullibility of the public.

Image courtesy of the National Library of Medicine Digital Collections.